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2014 bon dance schedule now available

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Obon season is soon approaching and time to get your happi coats, haori and yukata out of the closet! Bon dance schedules, as well as obon services are listed for all islands in the Herald’s May 16 issue.

Also in this issue, our veterans and fallen soldiers will be honored and remembered at several Memorial Day events at the Natatorium, National Memorial Cemetery of the Pacific at Punchbowl and at Manoa Cottage.

Loved ones will also be remembered at Shinnyo-en Hawaii and Na Lei Aloha Foundation’s annual Lantern Floating Hawaii on May 26 at Ala Moana Beach Park.

Our lead story features recollections and reflections of four Yonsei during their visit to Bruyeres, to see where their grandfathers fought during World War II.

The center pull-out section features the June TV schedule for NGN, KIKU and KBFD (Korean programming).


Homesick, But Heading For “Home”

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The honeymoon is over.

For the first six months after I moved here, I loved everything about Läna‘i — the fresh, crisp air; that there was no traffic lights; that drivers waved as they passed each other on the road. I loved the beautiful, towering pine trees that add so much character to the town, and the fact that every single business, including the two banks, operates out of a plantation-style structure.

Before I made the big move to Läna‘i City, I thought traveling back to Honolulu on a regular basis for business meetings would be my saving grace. It would allow me to see my family and friends and stock up on all the essentials at Costco and Longs that aren’t available on Läna‘i, where they would cost twice as much. It would also allow me to remain connected to downtown Honolulu business happenings.

But after about a month or two of commuting back and forth for meetings, I was over it and tried my best to conduct meetings over the phone or by video conference. I got spoiled. Everything about Honolulu irritated me: the long lines; the rush-hour traffic, which, for some reason, lasts all day and even on the weekends; people multitasking at Starbucks, trying to order their coffee and have a phone conversation at the same time; and the scorching heat.

Those of you who have visited Läna‘i know what I’m talking about. Maybe it’s because Läna‘i City is located at a higher elevation, or maybe it’s because of the formation of the mountains or some other geological reason, but the weather in Läna‘i City is much cooler than in Honolulu and most other places in Hawai‘i. It’s similar to Waimea on Hawai‘i island. Most days, the temperature is in the 70s or low 80s in the summer and can dip into the 50s and 60s in the mornings and evenings. And it’s windy and rainy here. The locals tell me that Läna‘i has received more rain in the last year than it has in the past several years combined. That makes for a lot of cold, soggy days that make you wish you were at home, bundled up on the couch wearing sweat pants and tube socks. For the first several months, the constant rain and thick fog didn’t bother me. They were stunning and romantic, and it made me feel like I wasn’t even in Hawai‘i. But after months of rainy weekends and cancelled trips to the beach, the lack of sunshine and the gale-force winds started to really get on my nerves.

When family members came to visit, they, too, were surprised by Läna‘i’s weather and how it can go from sunny and bright one moment to torrential downpours and then back to blue skies in a matter of minutes. The one or two stores that actually sell sweaters and jackets here must generate a lot of sales from tourists who don’t expect Läna‘i to be cold, but get a rude awakening once they arrive.

People always ask me if I miss home and for the first nine months, my answer was always “no.” Only on my last few trips to Honolulu did I actually start to feel differently.

I’m not sure if my obsession with pho, bubble drinks, good ramen and oxtail soup are finally getting to me, but sometimes on those cold, rainy Läna‘i nights, I sit in my living room all bundled up and wish I were back home in Honolulu. For one thing, all the restaurants here close early, so if I have an evening meeting that ends late, there’s nowhere to grab a quick dinner. The only places that serve food past 8 p.m. are the hotels and, sometimes I’m just in the mood for something simple. Since moving to Läna‘i, I’ve learned to always have a back-up plan — saimin in the pantry, frozen chili that I can quickly heat up or soba noodles that I can prepare on the fly.

In Honolulu, no matter what time of the day it is, food is never more than five or 10 minutes away. I guess I just miss having options.

Prior to moving to Läna‘i, I had never eaten much Filipino food. Here, the nanas know how to cook up a feast — most of which is new to me, but delicious, nevertheless. I love going to the Saturday Market and buying lunch — adobo, chicken papaya, lumpia, crab won ton, pancit, lechon. You name it, they’ve got it. Although the Filipino food is delicious, I miss variety. There isn’t a single Chinese or Korean restaurant here. Some places serve Korean chicken or chow fun, but there’s nothing like Gina’s Barbecue in Market City Shopping Center, or Soon’s in Salt Lake. There’s no dim sum and no place that sells Thai or Vietnamese food.

The food selection here is very limited, which is why I over-indulge every time I go to Honolulu. I plan out my meals and snacking according to where I will be. If I’m going to be in Kaimukï, for example, I’m heading straight to Super Pho on Wai‘alae Avenue, or Uncle Bo’s on Kapahulu Avenue. Or, if I’ll be at our Honolulu office, I’m having lunch at Lucky Belly, or The Pig & The Lady in Chinatown. Then, I’ll grab a red velvet cupcake at Hokulani Bakeshop or from Cake Couture. It’s pretty pathetic, but food plays such a huge role in my life and, after my family, it’s probably what I miss the most about home. Lame, I know. Sometimes I really wonder if I have a food addiction.

I went through the same depression and withdrawals in Ethiopia. I would lay awake at night making a mental list of all the things I wanted to eat when I got home. Ditto for when I lived in San Francisco for a year and craved Rainbow Drive-In’s slush float and Fort Ruger Market’s laulau and poke.

I realized another reason for my homesickness the other week at the market. When I moved to Läna‘i last September, it was as if I was moving to a Third World country. I knew everything was expensive, so I stocked up on shampoo and conditioner, bath soap, lotion, and a ton of other toiletries and household products that I knew would cost an arm and a leg on Läna‘i. Well, I finally pumped the last squirt out of my shampoo bottle, which is not available here, so I had to look for an alternative. It is slim pickings over here. The stores don’t offer quite the same selection as Walmart, where I shop in the “ethnic hair care” section because of my wild, unruly curls. So, out of the three or four options available, I bought the one that I thought would do the best job of taming my ferocious mane. But when I looked at the price, my jaw almost dropped to the floor. What would typically cost $5 or $6 a bottle at Longs was $12 on Läna‘i — and that was only for the shampoo. It killed me to put the two $12 bottles in my shopping basket. As I continued my shopping, I couldn’t think of anything but the $24 I was about to spend on hair products that I didn’t really want. I thought of rummaging through my house for mini bottles of hotel shampoos and conditioners that I had brought back from various trips, but I didn’t know how long they would last me, so I did the unthinkable (sorry, Mom!): I paid full price.

As I walked out of the store, still looking at the receipt in disgust, I missed home. I missed my usual shampoo and conditioner, which I’ve been using for years, and I missed the variety and lower prices available in Honolulu. It’s funny how the smallest, most random thing can cause me to feel homesick.

The other day, I was walking to work and overheard two friends talking about riding their skateboards down a steep hill and getting scrapes and bruises all over their bodies after crashing into a tree at the bottom. It immediately reminded me of the many fun-filled days and nights I’d spent at Kaka‘ako Waterfront Park, cardboard sliding with friends. While others my age were going to nightclubs, my friends and I would sometimes put on our most boro-boro clothes and get buckets of water and dishwashing detergent, give the grassy hill a good soaping and launch down the hill on our old boogie boards. Those were the days.

On one occasion, I went flying down so fast that I cracked up midway down the hill and went tumbling off the board. When I stood up and started walking back up the hill for another ride, I remember my friends pointing and saying, “Ouch! Does that hurt?” I didn’t even know my face was bleeding and that I had left the top layer of my chin out on the grass. I’ll never forget having to wait tables at work that night, greeting dozens of customers with a käki‘o mustache and goatee. I definitely raked in some sympathy tips that night.

There are a lot of things I miss about home — my family and friends, the awesome food and late-night hours and the different shopping options, among other things. But Läna‘i is still an awesome place to live and I still think it is a great place to raise a family.

When I first moved away for college, I remember my uncle describing the four stages of homesickness that most people experience when they move to a new environment: First is the honeymoon stage, followed by the homesickness stage, then comes the hostility stage and, finally, the “home” stage. I think I’m somewhere in-between the homesickness and hostility stages. Hopefully, I won’t linger too long in these phases, so I can make my way to the “home” stage.

It’s a good thing that I’ve met a lot of great people here and have really taken an interest in the outdoor lifestyle enjoyed by many Läna‘i folks, for it will make it a lot easier for me to one day call Läna‘i “home.”

Shara Enay Birbirsa resides on the island of Läna‘i, where she is Pülama Läna‘i’s liaison with the island’s community. Shara is a former writer for The Hawai‘i Herald and Hawai‘i Business magazine. She has been writing this Drama Queen Journals column since 2006.

Marcus Doi To Shine Once Again

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To put it mildly, the University of Hawai‘i Baseball Rainbows had a very sad 2014 season. Stated more bluntly, it was one of the worst seasons in recent memory. The ’Bows ended the season with a 22-31 won-loss record, 6-18 in the Big West Conference — and they sat alone in the cellar.

There were a few bright spots, though, thanks to Rainbow starting pitchers Matt Cooper, Scott Kuzminski and Scott Squire, who accounted for 15 of their wins. Sadly, however, all three are gone — graduated or drafted.

The other bright spot that lit up Murakami Stadium, albeit only for a short while, was Marcus Miyoshi Doi. A freshman, Doi broke into Coach Mike Trapasso’s starting line-up and quickly showed that he could handle Division One pitching. He played like a veteran from the get-go, especially at the plate. Unfortunately, a nagging groin injury slowed him down and finally shut him down midway through the season. Until then, he was leading the team’s offense with 20 hits in 58 attempts — a very healthy .345 batting average.

Marcus Doi at bat at the 2012 Area Code Games,      Blair Field – Long Beach, Calif. (Photo courtesy Marcus Doi)

Marcus Doi at bat at the 2012 Area Code Games,
Blair Field – Long Beach, Calif. (Photo courtesy Marcus Doi)

The last four to five months have tested Marcus’ mettle and patience as he recuperated, rested and rehabbed. As any young athlete can tell you, patience is a hard thing to manage when you have been active and testing your limits all your life. Fortunately for Marcus, a scholar-athlete attending UH on both a baseball and honors scholarship, his R&R time away from the baseball diamond gave him valuable time to concentrate on his studies.

School and baseball have always been part and parcel of Marcus’ life. He began playing Little League baseball as a 5-year-old kindergartener at Mänoa Elementary School. The school and the adjacent ballparks were his playground. His father George Doi, a schoolteacher and athlete, was his first coach.

Marcus transferred to Mid-Pacific Institute for intermediate and high school. There, he entered the “Dunn Muramaru School of Baseball” and became one of Coach Dunn’s best.

He began his MPI playing days as a catcher in the seventh grade, then switched to the outfield in his freshman and sophomore years. In his junior and senior years at MPI, he returned to the catcher position. Marcus played other sports as well, including basketball, through his sophomore year. Since then, however, it’s been all baseball.

He led the MPI Owls from behind the plate. Many fans will remember MPI’s 2013 state championship team as one of the best ever. The season ended with the entire Owl infield — first baseman Daniel Fentriss, second baseman Quintin-John Collier, shortstop Isiah Kine-Falefa and third baseman Brent Sakurai, as well as pitcher Trey Saito and catcher Marcus Doi — receiving first team All-State honors, a first in Hawai‘i high school baseball history.

In that memorable championship game against Mililani, MPI was trailing 1-0 in the seventh and last inning. Then with two men on, Marcus came through with the big hit that scored both the tying and winning runs. What a way to finish his high school career!

The past few months have been trying, but Marcus recently got his doctor’s clearance that he is 100 percent good-to-go. He’s started his reconditioning program to get back into playing shape, although he’s never really been out of shape. But the 6-foot-tall, 195-pounder is excited about getting back out on the field.

He doesn’t expect to do any more catching at UH. During this past season, he played both in the infield (first and third base) and outfield. Coach Trapasso will undoubtedly find a position for him as long as he keeps up his hitting. Marcus knows that the bat is his ticket to the game. Someday, he hopes to follow in the steps of his idol, former Rainbow Kolten Wong, and play on the big stage.

He’s got a long ways to go, but he’ll keep looking up at the lights. And for at least two more years, Hawai‘i fans will be able to see him light up the Les Murakami Stadium once again.

Dr. Michael Okihiro is a retired Honolulu neurologist and a self-professed “baseball nut.”

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“What Peace Means To Me”

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“If we wish to create a lasting peace we must begin with the children.” – Mahatma Gandhi

Sixth graders enrolled in the “Blue Track” at Mililani Middle School hosted a peace ceremony on June 20, just before the end of their school year. The ceremony was the final activity of their social studies unit on conflict and war and lessons of World War II. During the ceremony, each student placed a rock they had painted in the school’s Peace Garden.

The Peace Garden project, which began in 2000, contains rocks painted with symbols of the students’ thoughts on peace. Although all sixth graders in Mililani Middle School’s multitrack system learn about conflict and war, only the Blue Track’s lessons coincide with the peace ceremony.

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The Peace Garden was started in 2000 and contains rocks painted with symbols of what the students think peace means. (Inset: A close-up view of some of the rocks.)

“When we originally planned the unit, we were trying to find a culminating activity that allowed the students to reflect on what they learned,” wrote sixth grade social studies teacher Keri Coloma in an email. “I don’t even remember how the idea of the peace garden came about, but it was an idea that everyone was excited about from the beginning. We all felt that it wasn’t enough just to teach the students about historical facts — we really wanted them to learn from it — and reflect on the lessons that history teaches us.”

“We needed the kids to understand that war is not fun and that every freedom we have today, we owe to someone else’s sacrifice,” said fellow teacher Harriet Carmody in a video shown at the ceremony.

During the social studies conflict and war unit, the students researched the causes and effects of major events during World War II. They were then divided into groups and asked to take a stand on an issue. For the students who researched the attack on Pearl Harbor and the internment of Japanese Americans, the question posed to them was: “Did the United States take reasonable action when they interned Japanese Americans?” Other students researched the atomic bombing of Hiroshima and Nagasaki and were asked: “Did the United States take reasonable action when they bombed Hiroshima and Nagasaki?”

The students also visited with veterans at the 100th Infantry Battalion clubhouse and listened to “details and stories about World War II that we would never find in any history book,” as Coloma describes it, by 100th Battalion veterans Sonsei Nakamura and Kenneth Higa, who described their experiences as soldiers during World War II.

In the course of studying the subject, some of the students discovered that they had a relative who was a World War II veteran. Some Japanese American students learned that their family members were interned in camps on the Mainland following the bombing of Pearl Harbor, or were affected by the atomic bombing of Hiroshima.

Each year, Coloma is pleasantly surprised at how mature the students become upon completion of the unit.

“I feel that the students really mature during this unit. Through the argumentative paragraph, we really try to encourage them to take a stance on the issue and it’s so amazing to see some of the students debate an issue that they normally wouldn’t discuss at their age. It’s exciting to see them choose a side of an issue and support it with facts they’ve learned through their research.

Education Peace Garden

Education Peace Garden

“As adults, I think we often think that children are too young to learn about war and we try to protect them from it, but I believe that even at sixth grade, students can be challenged to think critically and once they’ve learned all the facts, are able to make informed opinions about issues,” she wrote.

Hiroshi Shimazu, a 100th Infantry Battalion veteran, and Robert Kishinami, a 442nd Regimental Combat Team veteran, attended the June 20 event at the school.

During the ceremony, the students sang their alma mater, “We Will Honor You,” and John Lennon’s “Imagine.” The approximately 150 students then went up on the stage in groups of three, introduced themselves and explained why they had chosen their symbol or picture for their rock. Symbols and their meanings ranged from crosses, representing God; to peace signs; to activities they feel at peace doing, such as going to the beach, listening to music, reading books or playing their favorite sport. One student painted a picture of a handshake, “because a handshake can sometimes make a difference between hate and peace.” Another drew a picture of a kite because “all my fears fly away and I am at peace.”

I asked my son McGwire, who is in the Blue Track, what he had learned from the unit. “Before I learned about war, I just thought it was just mindless fighting. After I learned what war was about, I know that the soldiers were fighting to help their country find freedom and peace.” McGwire chose a cross as the symbol for his rock because, he said, “The cross represents Jesus, who died for us so that we can have peace.”

Aaron Puchalski “learned that the 1940s were tough times and that World War II was really tough for many people and many countries.” He chose the American flag as the symbol for his rock because “the United States was very calm and peaceful.”

Education-Students-singing

Students sing their alma mater at the June 20 peace ceremony.

Once the unit is completed, teacher Keri Coloma had the students write a reflection piece. “One of my favorite parts of the project is the reflection piece. I enjoy reading this piece the most because it really shows me what the students have learned. Many of the students’ reflections are so thoughtful that I am often moved to tears. Their reflections remind me of why we do this project every year,” she wrote. Here are a few of the students’ thoughts:

– “After all the things I have learned about this war, it made me think that I should be happy with my life, because I have not been through hard times like the way people in the 1940s have. I have never suffered through radiation sickness or my skin peeling off, so knowing that many other people did, makes me unhappy.”

– “We should not repeat the same mistakes as people have done in the past. We must learn from them and try to do better and be stronger. I now understand what revenge, hatred, and greed can do not only to you, but to the whole world.”

– “I realize now that peace comes with a price. Also, peace is something I take for granted because I’ve always lived during a peaceful time unlike the people who lived during WWII.”

UJSH Installs Rika Hirata As President

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The United Japanese Society of Hawaii held its annual Installation and Recognition Banquet on June 28 at the Japanese Cultural Center of Hawai‘i’s Manoa Grand Ballroom.

The lunchtime program began with the observance of a moment of silence in memory of UJSH’s deceased members, followed by Hanayagi Miyoshizu’s (Marion Kanemori) celebratory Japanese classical dance, “Sambaso.” Mina Tamashiro and Eric Kobayashi of the Tamagusuku Ryu Senjukai, Frances Nakachi Ryubu Dojo performed the Okinawan dance, “Agitchikuten.”

The 2014-15 officers, directors and counselors were installed by Circuit Judge Edward Kubo Jr. They are: Rika Hirata, president; Cyrus K. Tamashiro, president-elect; vice presidents Dean Asahina, Frances Nakachi Kuba, Rev. Akihiro Okada and Cheryl Sora; secretaries Aileen Moriwake and Faye Shigemura; treasurers Michael Sato and Kevin Matsuda; auditors Robert Nagao, Roy Ota and James Sato; and Clyde Matsumoto, immediate past president.

Outgoing president Clyde Matsumoto presents the president’s gavel to his successor, Rika Hirata.

Outgoing president Clyde Matsumoto presents the president’s gavel to his successor, Rika Hirata.

In his outgoing president’s speech, Matsumoto reflected on how he got involved with the UJSH, beginning at the kenjin kai level. “I really appreciate what UJS has done for me,” he said. Matsumoto thanked the kenjin kai and the various Japanese churches for their continued support, calling them the “backbone” of the UJSH. He also thanked Consul General Shigeeda and his staff, as well as UJSH’s past presidents for their advice based on past experiences, particularly Ken Saiki, whom Matsumoto credited for helping him to “think outside the box.” Additionally, Matsumoto acknowledged his wife Annette for her support during his term.

He concluded his speech, saying, “We’ll be there to support Rika.”

UJSH’s new president Rika Hirata said it was “a pleasure and an honor” to lead the organization, which she joined in 2010. Hirata was born in Chigasaki City in Kanagawa Prefecture and attended high school in Fukuoka. She graduated from Sophia University. While at Sophia, she participated in a study abroad program in Kansas, she where developed a Kansan twang. In 1998, Hirata moved to Hawai‘i with her husband — they have four golden retrievers.

The new UJSH president said she grew up immersed in the “soul of Japan.” Hirata said being involved in UJSH reminds her of the teachings of her grandmother.

She said she wants to share Japanese culture with the generations to come and is looking forward to collaborating with other Japanese organizations in Hawaii. “I look forward to working with and reaching out to as many people as possible,” she said Congratulatory messages were delivered by Blake Oshiro, deputy chief of staff for Gov. Neil Abercrombie; Honolulu Mayor Kirk Caldwell and Consul General of Japan Toyoei Shigeeda.

One of the highlights of the afternoon was the presentation of the Outstanding Member of the Year award to Mabel Masuko Yonemori. Yonemori, who was born in Santa Maria, Calif., earned her academic degrees in sociology and psychology and a fifth year teaching certificate from the University of Hawai‘i. She went on to a long career in the state Department of Education, where she served in various positions. Yonemori is active in a number of organizations, including the Japanese Women’s Society Foundation and the Ala Wai Karaoke Club. She has also held numerous positions in the UJSH. The printed program write-up on Yonemori noted that, “Mabel willingly puts out 110 percent effort and gets others to do likewise.”

Also recognized during the program was Hugh O’Reilly Jr., who was presented the UJSH Award for Contributions to the Japanese Community and Hawai‘i. O’Reilly established Peace Bridge, Inc., a nonprofit organization dedicated to carrying on a humanitarian project started by his late father, Sgt. Hugh O’Reilly, in support of the Holy Family Home orphanage in Osaka in 1949.

After accompanying a Red Cross field representative to the orphanage on Christmas Day, the senior O’Reilly took up a collection among the soldiers in his unit, the 27th Infantry Regiment, known as the “Wolfhounds,” which was headquartered at Schofield Barracks. The money, $143, was donated to the Holy Family Home on New Year’s morning. Sgt. O’Reilly and his men continued to raise money to help feed and clothe the children at the orphanage and eventually began bringing two children to Hawai‘i for a short vacation. That goodwill continued until Sgt. O’Reilly’s passing in 2006.

Determined to keep the project alive, Hugh O’Reilly Jr. established Peace Bridge with a small group of local community leaders. UJSH became a community partner in 2008. Its Japanese-speaking members serve as translators during the children’s visit to Hawai‘i. The organization also donates toys and other gifts for the orphans at the Holy Family Home during the holidays.

Another highlight of the program was the introduction of the “Kenjinkai Outstanding Achievement Awards” to kenjin kai members for their contributions to their respective clubs. Prior to introducing the 2014 honorees, Dean Asahina noted that “without the kenjin kai, the UJSH would cease to exist.”

Honored were: Alan Sekigawa (represented by Don Koga), Central Oahu Kumamoto Kenjin Kai; Tomoyo T. Honda, Hawaii Ehime Kenjin Kai; Dennis J. Kinoshita Jr., Hawaii Fukuoka Kenjin Kai; Ronald Okura (represented by the Rev. Hiromi Kawaji), Hawaii Kagoshima Kenjin Kai; Shigeo Minamoto (represented by Yoshimi Endo), Hawaii Kanagawa Kenjin Kai; Shigeko Hamasaka, Hawaii Miyagi Kenjin Kai; Mieko Shintani, Hawaii Miyazaki Kenjin Kai; Taeko Teruya, Hawaii Oita Kenjin Kai; George Bartels Jr., Hawaii United Okinawa Association; Akiko Baba, Hawaii Yamagata Kenjin Kai; Clara Osano, Hawaii Yamanashi Kyo Yu Kai; Clarence Sato, Honolulu Fukushima Kenjin Kai; Calvin and June Miyamoto, Honolulu Hiroshima Kenjin Kai; Terrence Kai, Honolulu Kumamoto Kenjin Kai; Junko and Eiji Tsurumaki, Honolulu Niigata Kenjin Kai; John Okutani, Honolulu Yamaguchi Kenjin Kai; and Lois Tagami (represented by George Hirota), Wahiawa-Waialua Hiroshima Kenjin Kai.

John Okutani from the Honolulu Yamaguchi Kenjin Kai represented his fellow recipients in thanking the UJSH and the kenjin kai for recognizing them.

Two new kenjin kai recently joined the UJSH — Hawaii Ehime Kenjin Kai and Hawaii Kanagawa Kenjin Kai.

Two banzai toasts were offered during the program — the first from Cmdr. Hiromasa Takahashi of the Japanese Maritime Self-Defense Force, who offered a banzai to the UJSH from the guests, and the second from UJSH past president Kenneth Saiki to the guests.

Entertainment included a dance performance, “Enka wa Ii Ne,” by the MY Ohana Performers, featuring outgoing president Clyde Matsumoto and others; and Okinawan eisä and kachäshi by the Ryukyukoku Matsuri Daiko Hawaii. Bishop Daiya Amano of the Izumo Taishakyo Mission concluded the program with a spirited tejime.

Yasu Ishida

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Yasu Ishida, a University of Hawai‘i graduate student in children’s theater, has been awarded the American Alliance for Theatre and Education’s Doyle Fellowship. The fellowship is named in honor of Don and Elizabeth Doyle for their lifetime of creative work in theatre for youth. It is presented to an outstanding graduate-level student of demonstrated artistic ability in the area of theatre for youth. The candidate should also indicate a professional interest in pursuing career goals consistent with the legacy of the Doyles.

This is the first time a UH-Mänoa theater student was selected for the award. Ishida submitted an extensive portfolio that included videos of his performance at the 2013 and 2014 Talk Story Festivals; photos of himself in UH productions; and reviews of his work as creator and director of the storytelling troupe, Bento Rakugo.

Last December, Ishida and local storyteller Jeff Gere collaborated on a storytelling performance, “Kataributai: An Evening of Mythology & Storytelling,” which told the story of the Japanese American experience in Hawai‘i. Ishida is currently creating and co-directing Honolulu Theatre for Youth’s Christmas production, “A Yule Rakugo.” He recently participated in an internship in Florida.

George Okuda

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eorge Okuda has been appointed to serve out the term of state Rep. Jessica Wooley, whom Gov. Neil Abercrombie appointed director of Environmental Quality Control during the last legislative session. Wooley represented House District 48 (Käne‘ohe to Kahalu‘u).

“George has more than a decade of public service experience and has active legislative ties to the windward O‘ahu community,” Abercrombie stated in a press release. “He will bring stability during this transition period.”

Okuda had been a legislative aide to state Rep. Ken Ito since 2000. In that capacity, he drafted, tracked and analyzed bills and resolutions. He was also responsible for meeting and working with various state department personnel, organizations and constituents on measures before the Legislature. In addition, Okuda worked with school principals in Rep. Ito’s district on capital improvement projects needed at schools. He previously served as a legislative aide to state Sen. Bob Nakata. Okuda was also a member of the Kahalu‘u Neighborhood Board for six years, including two as chair.

Okuda is a licensed civil and structural engineer and previously worked for Hawaiian Electric Company. He earned a bachelor’s degree in engineering from the University of Hawai‘i at Mänoa.

The 10th Annual Aloha International Piano Festival announced the winners of the 2014 Aloha International Piano Competition, which was held last month at the Hawai‘i Convention Center.

Pianists of all ages from throughout the United States, the United Kingdom and Japan were given the unique opportunity to perform in public and to receive feedback from a top panel of judges. The panel included 1997 Van Cliburn Piano Competition winner Jon Nakamatsu and other noted concert pianists, including Frederic Chiu, John Bayless, Thomas Sauer, Haewon Song and festival founder Lisa Nakamichi.

Prizewinners in select categories earned the opportunity to perform in concert as a featured artist with the Hawaii Youth Symphony, while others received $1,000 special awards.

Shiori Kuwahara of Tökyö won the Concerto Division and will perform with the Hawaii Youth Symphony I on Dec. 7 at the Blaisdell Concert Hall. Kuwahara also won the Young Artist Division (ages 19 to 25) and received a $1,000 special award.

The main purpose of the Aloha International Adult Amateur Competition is to focus on sharing the musical experience with fellow participants and audience members.

Winners in the adult division (ages 25 and up) were Mari Yoshihara of Honolulu and Miho Kiyoki of Japan, who tied for first place, and Arisa Hasegawa, third place. There was no second place winner.

Other winners were Level A (up to age 8): Aimee Okagawa, first place, and Koko Tanaka, third place. Level B (high school, ages 15 to 18): Shandee Teruya.


Christie Kimura and Kristen Kagoshima

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The Japanese Cultural Society of Maui presented $1,000 scholarships to recent Maui high school graduates Christie Kimura and Kristen Kagoshima.

Christie Kimura, daughter of Glenn and Kyoko Kimura, graduated from Seabury Hall. She plans to major in political science and environmental studies at Waseda University in Tökyö. Kimura has studied tea ceremony and Japanese language, which she also tutored. She hopes to further her knowledge of Japan, its culture, economic growth and sustainability while studying at Waseda.

Kristen Kagoshima, a Maui High School graduate, is the daughter of Joel and Cindy Kagoshima. She plans to major in psychology at Oregon State University. Kagoshima is a longtime member, teacher and songwriter for Maui Taiko and was a member of the Japanese Club at Maui High School. She hopes to study in Japan in the future to increase her understanding of Japanese culture.

The JCS Maui Scholarship is awarded annually. Selection criteria include the student’s interest in perpetuating Japanese culture, how their education will assist in perpetuating Japanese culture, and their present and past involvement in Japanese organizations, as well as academics and community service participation.

Donations for the scholarship can be sent to the Japanese Cultural Society of Maui and mailed to P.O. Box 5090, Kahului, HI 96733.

Retracing “Task Force Fukuda”

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This past May, my wife Judy and I joined three other Hawai‘i couples — Ed and Jan Sakoda, Wayne and Carol Matsunaga, and Alvin and Ellie Shimogaki — on a journey to Italy to commemorate the 70th anniversary of the Battle of Monte Cassino. The connection between us — Jan (daughter of Gary Uchida), Carol (daughter of Arthur Komiyama), Alvin (son of Calvin Shimogaki) and myself (son of Mitsuyoshi Fukuda) — is that our fathers served together in the 100th Infantry Battalion during World War II.

We were visiting Santa Margherita with Grand Circle Tours. As part of our tour, we had arranged for a day trip to the commune of Aulla in Tuscany.

Aulla had been the objective of “Task Force Fukuda,” which my father, Maj. Mitsuyoshi Fukuda, led in 1945.

In the Abbey of St. Caprasio, David Fukuda (in red shirt) stands over the excavation pit in the apse behind the altar, where an unexploded bomb was unearthed in 2003. The relics of St. Caprasio are on display under the altar in the abbey. (Photo by Alvin Shimogaki)

In the Abbey of St. Caprasio, David Fukuda (in red shirt) stands over the excavation pit in the apse behind the altar, where an unexploded bomb was unearthed in 2003. The relics of St. Caprasio are on display under the altar in the abbey. (Photo by Alvin Shimogaki)

April 25, 1945. It was early morning and Dad was on the southern bank of the Aulella River, across from Aulla. It is one of only a couple of instances in which I know precisely where Dad was on a given date and time during the war. There are no records of skirmishes with the enemy, or even of shots being fired on this day — only of flowers and wine. But to the Italian people, this day is of far greater importance than Dad or his men could have realized at the time.

Aulla is a small town of approximately 10,000 inhabitants. Today, it is adjacent to a major corridor into Austria. During World War II, the town was leveled by Allied bombs due to the presence of German soldiers.

One building largely spared from destruction was the Abbey of St. Caprasio, our first stop in Aulla. A photo taken in 1945 shows its bell tower standing defiantly over the rest of the demolished city.

In the adjoining museum, an animated docent shared with us the history of the abbey through our driver, who doubled as our translator. The abbey was the 30th stop on the famous Via Francigena pilgrimage from Canterbury, England, to Rome and Jerusalem beginning in the ninth century. In 2013, 1,100 people passed through the abbey on pilgrimages. In addition to the relics, or bones, of St. Caprasio, Rome had sent the skull of St. Severo for safe keeping from the Saracen invaders, adding to the stature of the abbey.

In 2003, a 500-pound unexploded British bomb was unearthed in the apse when major repair and archaeological work was undertaken. The bomb was situated less than 10 feet from St. Caprasio’s tomb. Had it detonated, both tomb and apse would have been destroyed. That it didn’t was seen as a testament to the miraculous powers of St. Caprasio some 1,500 years after his death.

After leaving the abbey, we drove up the hill overlooking the town to visit the Brunella Fortress, an imposing structure which the Fascists had requisitioned and where German soldiers were billeted during the war. From the steep, narrow, winding road, an abandoned railroad station and railroad tracks can be seen running between the hill and town itself. Once at the top of the hill, we walked about 100 yards until we reached the massive walls of the fortress and crossed over a bridge to the inner fortress.

After navigating a deep walkway, we came to a sign (in Italian) directing us to ring the doorbell. A few moments later a worker appeared. She collected our entrance fees, gave us some quick directions for getting around and then disappeared. We never saw her again, or anyone else, during our two-hour visit.

Inside the abbey, the group posed beneath a statue of St. Caprasio. Front row, from left: Wayne Matsunaga, Jan Sakoda, Judy Fukuda, and Ellie and Alvin Shimogaki. Back row: Walter (driver), abbey docent, Carol Matsunaga and David Fukuda. (Photo by Ed Sakoda)

Inside the abbey, the group posed beneath a statue of St. Caprasio. Front row, from left: Wayne Matsunaga, Jan Sakoda, Judy Fukuda, and Ellie and Alvin Shimogaki. Back row: Walter (driver), abbey docent, Carol Matsunaga and David Fukuda. (Photo by Ed Sakoda)

The massive walls of this 15th century fortress were built to withstand cannon fire. The views from the rooftop are spectacular, allowing for panoramic views of the town and surrounding rivers, mountains and valleys. The photos I had brought with me of a bombed-out Aulla in 1945 and the more recent promotional photos of the town had been taken from this vantage point. From here, I could see clearly where Dad and his men were on the morning of April 25, 1945. Equally impressive was the terrain that the unit had had to transverse to reach Aulla — steep mountains and deep valleys covered with thick vegetation.

Dad was the executive officer of the 100th Infantry Battalion at the time and had been ordered to lead a task force consisting of Company B, Company F and a platoon from Antitank Company.

In his book, “Go For Broke: A Pictorial History of the Japanese American 100th Infantry Battalion and the 442nd Regimental Combat Team,” Chester Tanaka, a 442nd RCT veteran, described Task Force Fukuda as a special “commando” unit that had been organized only two days earlier.

“Should Aulla fall, the escape route that led from La Spezia and Genoa would be cut off,” Tanaka wrote. “The Germans knew this and so did the 100th/442nd.”

This photo was taken from the Brunella Fortress on May 10. Note the bell tower, still standing, just right of the center of the photo. The old railroad tracks and train station (not seen in photo) have been abandoned. (Photo by David Fukuda) The Brunella Fortress bridge to the entrance. In earlier times, there was a drawbridge over a moat. (Photo by David Fukuda) Aulla as it looked when Task Force Fukuda entered the town. Note the abbey’s bell tower in the upper left and the destruction all around it. (Photo courtesy of David Fukuda)

Task Force Fukuda left Viano on April 23 and was to join 2nd Battalion in a pincer move, coming in from both sides of Mount Carbolo.

Wrote Tanaka: “Task Force Fukuda and the 2nd Bn. drove in on Aulla from the now fleeing German Army. The roof had caved in on the enemy.”

In a May 1983 letter to Bob Sasaki, then-executive secretary of the 442nd Veterans Club, Dad wrote:

“I recall that we carried a whole lot of lines to maintain telephone communication with the 100th Bn. Headquarters. I remember taking a field artillery observer with me and asking for artillery fire when we reached the outskirts of Aulla. Because we saw enemy activity in the town and it was getting dark when we arrived on the south side of town, I decided to attack in the morning.

When we moved into Aulla the next morning, to our great relief, the Germans had pulled out. We did not go beyond Aulla. The 442nd moved in from the East and went on ahead. I remember sitting by the roadside of Aulla and watching the units of the 442nd march by.

Captain Sadami Katahara was the CO of “B” Company. I remember “Monzook” Okazaki and Marshall Higa. (Capt. Joseph Hill was CO of “F” Company).

It is unclear what the people of Aulla remember of that April morning in 1945. In fact, in the 1980s when retired U.S. Brig. Gen. William W. Molla was doing research on Aulla, his father’s birthplace, a local historian who had just published a pamphlet on the liberation asked Molla for the name of the commander of the “Philippine” troops who entered the town on April 25, 1945.

Today, Aulla and the rest of Italy observe April 25 as “Liberation Day,” even though the Allied nations recognize May 2 as the end of the war in Italy. In 1946, the Italian government selected April 25 as “Liberation Day” because Milan and Turin were liberated as well on that day.

While I was able to see first-hand the difficult terrain that the men of Task Force Fukuda crossed en route to Aulla, it’s hard to fully comprehend the anxiety they must have felt as they entered the town — or their relief at seeing that the enemy had fled. I realized that the day the 100th/442nd entered and liberated Aulla remains a special day for the Italian people and it left me with a great sense of pride.

David Fukuda is retired and lives on Maui. He is an active member of the Maui Sons and Daughters of the Nisei Veterans and a board member of the Nisei Veterans Memorial Center in Wailuku.

“Thank You,” Eric Shinseki

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Editor’s note: The resignation in late May of U.S. Secretary of Veterans Affairs Eric K. Shinseki left many in Hawai‘i with uneasy feelings. Like Hawai‘i astronaut Ellison Onizuka, the first American astronaut of Japanese ancestry to soar into space, Eric Shinseki had brought genuine pride to our state and our AJA community because he had always done his job well and with the utmost humility. He was someone the young in our community could look up to as a role model.

Longtime Herald contributor Kevin Kawamoto sent in the following commentary, which puts the situation at the VA in perspective. His commentary was prefaced by this message: “I was talking to a 442 veteran the other day and he was very disappointed with the way Shinseki had to leave the VA. I think a lot of people are upset that he left under a cloud, so I wanted to write something that addressed that sentiment.”

Here is Kevin’s commentary.

When Eric Shinseki, retired four-star general in the United States Army and former Army chief of staff, was appointed to lead the U.S. Department of Veterans Affairs in 2009, many in Hawai‘i’s Japanese American community were proud that this Kaua‘i-born sansei and recipient of two Purple Hearts was being given another opportunity to serve his country, this time as a member of President Barack Obama’s cabinet. Imagine that: two Hawai‘i sons, along with our state’s two U.S. senators — Daniel Inouye and Daniel Akaka, occupying such high positions in the nation’s capital at the same time!

Ret. Gen. Eric Shinseki greets a World War II Nisei veteran in the audience at the Oahu AJA Veterans Council’s 2007 Joint Memorial Service. (Herald archive photo)

Ret. Gen. Eric Shinseki greets a World War II Nisei veteran in the audience at the Oahu AJA Veterans Council’s 2007 Joint Memorial Service. (Herald archive photo)

But some must have also worried about Shinseki taking on the complex responsibilities of a massive bureaucracy with a troubled, controversy-laden past. Indeed, the lengthy wait times for veterans to get medical appointments at VA hospitals and clinics long preceded Shinseki’s tenure, and this was only one of a number of serious complaints that veterans and their advocates had been lobbing at this beleaguered federal agency for decades. Trying to resolve the backlog of veterans’ claims for benefits — a situation Shinseki inherited from his predecessors — might have seemed like an insurmountable task, but Shinseki had implemented a plan for speeding up the processing of claims through the enhanced use of technology.

That task will now have to be left to his successor to complete, as Shinseki submitted his resignation to President Obama on May 30, and the president accepted it, amid a growing scandal relating to “questionable scheduling practices” that appear to have been done to intentionally mislead observers about delays in delivering health care services to veterans. The use of “secret waiting lists” was exposed at a VA facility in Phoenix, Ariz., but the practice may have been more widespread. Reportedly, one reason these secret lists were kept was because of intense pressure on VA health care providers to improve their wait times. Shinseki may not have known that these practices were going on and did not defend them prior to his resignation, but rather took responsibility for them as the chief administrator of the VA.

“Given the facts I now know, I apologize as the senior leader of the Department of Veterans Affairs,” Shinseki said in a public speech on the day he resigned. “I send an apology to the people I care most deeply about, and that’s the veterans of this great country, to their families and loved ones whom I have been honored to serve for over five years now.”

He also extended his apology to the American public, who he said “deserve better from their VA.” He told the audience that leadership and integrity problems “can and must be fixed, and now.” This was followed by extended applause, as was his assurance that the senior leadership at the Phoenix VA facility would be removed and that no senior executive in the VA health care system would receive performance awards for 2014. He said senior executives would be held accountable if it is found that they instigated or tolerated dishonorable or irresponsible scheduling practices.

Shinseki’s speech that day was difficult to watch. He looked genuinely sorrowful, if not somewhat shaken. Here was a great leader and public servant — who served his country with distinction for 38 years in a military uniform — forced to step down because of the actions of those he may have trusted too much. But he left his position at the VA the same way he entered it, with humility and dignity. He did not display bitterness or rancor, but rather a commitment, even in his final hours as VA chief, to correct any wrongs that may have occurred under his watch.

In accepting Shinseki’s resignation, President Obama said at a press conference, “Under his leadership, we have seen more progress on more fronts at the VA and a bigger investment in the VA than just about any other VA secretary.” He said that Shinseki’s commitment to veterans was unquestioned and that his service to his country was exemplary.

“As secretary of the VA,” President Obama said of Shinseki, “he presided over record investments in our veterans, enrolling 2 million new veterans in health care, delivering disability pay to more Vietnam veterans exposed to Agent Orange; making it easier for veterans with post-traumatic stress, mental health issues and traumatic brain injury to get treatment; improving care for our women veterans. At the same time, he helped reduce veteran homelessness and helped more than 1 million veterans, service members and their families pursue their education under the post-9/11 GI Bill.”

Of course, these and other accomplishments will be overshadowed, at least for now, by the scheduling scandal and other negative news stories about the VA. This is unfortunate because the VA healthcare system, with all its problems, should not be painted over with broad strokes, as if the entire system and all of its parts are somehow contaminated. In fact, there are many good people working for the VA, people on the frontlines who interact with veterans on a daily basis and do a great job as physicians, nurses, social workers, mental health specialists, physical therapists, nursing assistants, chaplains, and so forth. They respect veterans and provide excellent care. Their stories and experiences may not make it into the news, but their efforts should not be overlooked.

As for Eric K. Shinseki, we should thank him for having taken on this three-headed dragon known as the Department of Veterans Affairs in 2009, even though some observers may have wondered, “Why?!!” After all, he could have opted to spend his retirement sitting on a beach with a fishing pole. His resignation due to the scheduling scandal in 2014 does not define his tenure as a VA Secretary and certainly takes nothing away from his lifetime commitment to public service, the national defense, or caring for America’s veterans and their families.

Kevin Kawamoto is a longtime contributor to The Hawai‘i Herald and was a social work intern at the VA Puget Sound Health Care System in Seattle (also known as the “Seattle VA”) for an academic year prior to Eric Shinseki’s appointment as VA Secretary.

Eric Shinseki cover headshot

Eric Shinseki cover headshot

 

Japan’s Defense

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In recent weeks, the Diet has been debating whether to support legislation that will allow Japan to exercise the right of collective self-defense. Prime Minister Abe has proposed an interpretation of the nation’s constitution that will allow Japan to have a carefully circumscribed version of this right that all nations have under the United Nations Charter. Nonetheless, the issue remains controversial for those who see it as a departure from Japan’s 70-year-long pacifist tradition. Some fear that it will involve Japan in distant American wars, but the rules are carefully written to prohibit such adventures while allowing Japan to work more closely with the United States on direct threats to the security of Japan.

In terms of national security, Japan lives in a dangerous region. Most striking is the unpredictable dictatorship of North Korea, which is poor but has invested its meager economic resources in nuclear and missile technology. A longer-term concern is the rise of China, a nation of 1.3 billion, which claims the Senkaku islands in the East China Sea. To the north, Russia still claims territory that was Japanese before 1945. In addition, Japan depends on imports over sea-lanes in contested areas like the South China Sea. Moreover, unlike Europe after 1945, East Asia never experienced the full reconciliation among rivals or the establishment of strong regional institutions.

Faced with this situation, Japanese leaders have four major security choices. They could change the constitution and fully rearm as a nuclear nation, but this would be costly and dangerous. They could seek neutrality and rely upon the United Nations Charter, but this would not provide adequate security. They could form an alliance with China, but this would lead to too much Chinese influence over Japan. Or, they could maintain the alliance with the distant superpower of the United States. This is, by far, the safest and most cost-effective of the options. The U.S.-Japan Security Treaty has been a central feature of stability in East Asia for over half a century, and when the Obama administration announced its so-called “pivot to Asia” (more appropriately a “rebalancing” toward Asia) in 2011, it reconfirmed the importance of the region and the centrality of the U.S.-Japan alliance.

The task for American and Japanese leaders is not containment, but to shape the environment in which China makes its choices so that it has incentives to act responsibly. This involves maintaining a strong defense capability and requires better coordination for collective self-defense. Japan must do more to prepare for low-level provocations and make clear the responsibilities for responding to acts in the middle between low-level provocations and high-end conflict. Japanese leaders should also do more to resolve historical tensions that inhibit more effective defense cooperation with South Korea to prepare for a crisis in North Korea. This is not the abandonment of pacifism, just prudent precaution.

Joseph S. Nye Jr. is a professor at Harvard University and author of “The Future of Power.”

Growing Bittermelon

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By H. Dale Sato

Some people love it; others can’t bear the taste of it, despite its health benefits.

I’m talking about bitter melon — the green vegetable Okinawans refer to as göyä. In Japanese, bitter melon is known as nigauri. Its scientific name is Momordica charantia. In Hawai‘i, it is an especially popular vegetable among older Okinawans, and is credited with contributing to the longevity many Okinawans enjoy.

Bitter melon is used in many Asian dishes: Okinawans make göyä champuru, stir-frying it with belly pork or Spam or tuna, töfu and egg; Chinese people stuff it with pork hash; and Filipinos use it in their adobo. Some Filipinos also cook the leaves. Other preparations include baking, steaming or pickling.

There are generally two types of bitter melon. The Chinese variety, which tends to be bitter, is smooth and has longitudinal ridges, while the Indian variety has “delicate spines” and is much more bitter. A somewhat different weedy type, known as Momordica charantis var. abbreviate, can be found growing along roadsides and is often harvested by local Filipinos.

The bitter taste is like that of a not-yet-ripe grapefruit or very dark chocolate. It can be traced to the quinine content within the plant. The bitterness can be reduced by blanching the bitter melon slices in boiling water for two to three minutes, or try salting the sliced pieces for about an hour and squeezing out the liquid. The riper fruits are also less bitter as are those whitish or lighter green in color.

There are many varieties of the Chinese bitter melon. Seeds are available locally at Fukuda Seed Store, Don Quijote and Koolau Farmers. Different varieties are also available at Kitazawa Seed Company and Evergreen Seeds. Unfortunately, seedlings are rarely available at local nurseries and garden centers.

Another alternative is to harvest seeds from a good fruiting plant. Seed variation can occur if different types of bitter melon are grown in close proximity to each other.
A fully mature fruit will oftentimes turn yellow and begin to split, showing the red arils and even the seeds. Remove the seeds from the arils and air-dry them. If you process the seeds and store them properly, they can last a year or two.

Select a site with abundant sunlight and good-draining soil for your bitter melon plant. The soil should have a pH of 5.5 to 7.2. Add 3 to 5 inches of well-rotted organic matter and a handful of bone meal and mix it into the top 6 to 12 inches of soil. For conventional soil preparation, add organic material along with a fertilizer like 10-30-10 or super phosphate mixed well into the top 6 to 8 inches.

Bitter melon plants can also be grown in containers that are between 5 and 15 gallons — the larger the container, the more productive the plant.

Seeds should be planted about 1 inch deep and spaced about a foot apart. Thin to 2 to 3 feet apart. Seedlings can also be planted 2 to 3 feet apart.

You should fertilize the plant every three to four weeks using such fertilizers as 10-20-20, 10-5-20 or 16-16-16, or a similar analysis fertilizer. If you do organic gardening, a fertilizer like 8-8-8 can be applied every two to four weeks. Applying products such as H-B 101, worm castings or compost tea are also helpful for organic culture.

I advise frequent watering for hot and dry climates. Feel the upper 1 to 2 inches of the soil. If it feels dry or looks light-colored, water the soil thoroughly.

Bitter melon vines will grow 10 to 15 feet long, so I suggest that you grow it on some type of trellis, be it a fence, a table or a hoop trellis. Trellising the vine ensures long and straight fruits. An ideal fence trellis is about 5 feet tall; a good hoop trellis should be 6 to 7 feet tall, which will make it easier to walk under the vines to harvest the fruits. If you are growing bitter melon in a container, consider using a tall tomato trellis or an extendable vertical trellis.

The short, warty fruit type doesn’t require a trellis — you can let it crawl on the ground or even over small plants. However, in order to contain the growth of a bitter melon vine, you should probably prune it after the first female fruits.

Yellow-colored flowers should begin forming 45 to 60 days after initial planting of the seed — male flowers first, and then a few days to two to three weeks later, female flowers with a swollen base. Male flowers will open in the morning and fall off in the afternoon.

Honeybees are the primary pollinators of bitter melon flowers. The fruits usually reach the harvestable stage about seven to 10 days after pollination.

I suggest you harvest the fruits according to your tastes. If you are eating bitter melon for the first time, you might want to harvest the fruit when it is a bit more mature, as it won’t be as bitter.

Overly mature fruits may contain the red-fleshed part called the aril, which can split in storage. The fruits need to be harvested every two to three days. Frequent harvesting will promote higher fruit production. The harvested fruits can then be placed in plastic bags or wrapped in paper and refrigerated for three to five days.

Shoot tips 6 to 8 inches in length can be harvested when the plants begin to flower and soon thereafter. The harvested tips are bundled, wrapped in paper and stored in the refrigerator.

The most common pest problem you are likely to encounter when growing bitter melon is the melon fly, which “stings” the fruits, causing premature discoloring. The sting can also affect the shape of the fruit and, in some cases, cause the fruit to rot.

The best and easiest way to protect the fruit from melon flies is to package it soon after the female flowers have pollinated. Fold a piece of newspaper to 3-by-14 inches and cover the pollinated fruit like a sleeve. Secure it with a toothpick or a bamboo skewer 3 to 4 inches long and leave the bottom end of the paper sleeve open. Adjust the newspaper size accordingly for larger and longer fruits. There are other ways to avoid fruit fly infestation, such as pheromone traps or GF-120 fruit fly bait.

In terms of diseases, powdery mildew is a common one affecting bitter melon. That’s why it’s important to plant bitter melon in an area with good air circulation and sunlight and avoid evening watering. Also, dispose of infected leaves immediately.

If you develop the powdery mildew, sulfur and bicarbonates are approved organic pesticides that can be applied to minimize the problem. For root knot nematode problems, consider crop rotation, fallowing, soil solarization or planting a green manure crop such as Sunn hemp to reduce the nematode population.

Bitter melon plants are most productive during their first six months, although it will give fruit for over a year.

If the thought of bitter melon’s bitter taste makes you cringe, consider this bit of information from the National Bitter Melon Council: Bitter melon is rich in iron and has “twice the beta carotene of broccoli, twice the calcium of spinach, twice the potassium of bananas, and contain[s] Vitamins A, C, B1 to B3, Phosphorus.” It is also a good source of dietary fiber. Maybe it’s a taste you can acquire over time.

H. Dale Sato has worked in the field of horticulture for over 50 years. As a teenager, he operated his family farm in Pähoa on the Big Island of Hawai‘i. Sato retired from a 30-year career as an extension educator with the University of Hawai‘i’s College of Tropical Agriculture and Human Resources, but remains involved in horticultural research and educational activities.

From My Yard=goya vertical

KBFD – Korean Programming

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“Rosy Day,” Sunday at 6:30 p.m./re-airs
Monday at 1:45 p.m.
Song-Jung Han is a novel writer. She is also a single mother who has raised three daughters: Da-Ae, Da-Jung and Da-In and struggles to let them marry good men.
Starring Mi-Sook Kim, Hwang Woo Seul Hye, Se-Young Park and Woo-Ri Ko.

“Temptation,” Monday and Tuesday at 7:45 p.m./re-airs on Tuesday and Wednesday at 2:45 p.m.
A melodrama about a married man, Suk Hoon Cha, who receives a huge sum of money from a woman, Se Young Yoo to repay the huge debt he owes. Complications arise when the woman demands total submission from him, jeopardizing his relationship with his wife.
Starring Sang Woo Kwon, Ji Woo Choi, Jung Jin Lee, and Ha Sun Park.

“Give Me Gold,” Monday and Tuesday at 9:25 p.m./re-airs on Tuesday and Wednesday at 1 p.m.

“One Well-Raised Daughter,” Monday-Thursday at 10:25 p.m.; re-airs Tuesday-Friday at 12:20 p.m.
A family has owned a soy sauce company for hundreds of years. Parents in the current generation family only have daughters. To inherit their company “Bull Soy Sauce,” the fourth daughter is raised as a boy and eventually disguises herself as a man.
Starring Han-byul Park, Tae-kon Lee, Eun-woo Jung and Se-in Yoon.

“It’s Okay This is Love,” Wednesday and Thursday at 7:45 p.m./re-airs on Thursday and Friday at 2:45 p.m.
Based in a mental clinic, this drama portrays the life and love of modern day people. Love can sprout from the most unexpected places and in the most crowded minds.
Jae Yul Jang is a famous mystery novelist and popular radio deejay who suffers from obsessive-compulsive disorder (OCD). When he meets Hae Soo Ji, a first-year psychiatry fellow at the hospital where he is being treated, they help each other work through their deep-rooted emotional issues. But how will Dong Min Jo, Hae Soo’s senior colleague and first love, and Pul Ip Lee, Jae Yul’s girlfriend, feel about their growing closeness?
Starring In Sung Jo, Hyo Jin Gong, Kwang Soo Lee and Dong Il Sung.
“Gu Family Book,” Wednesday and Thursday at
9:25 p.m./re-airs on Thursday and Friday at 1 p.m.
A melodrama epic about the great deal of trouble Kang Chi Choi, born as a half-human-half-mythical-creature (or human werefox half-breed), who goes through in order to become human and a story of Kang Chi’s journey of struggling in order to live more like a human than anyone else despite not being able to become human.
Kang Chi Choi is the son of Wol Ryung Gu, the guardian spirit (werefox) of Jiri Mountain, and Seo Hwa Yoon, his human mother. He was raised by the Park family after having been picked up from the river. Due to customary restrictions of the era he is adopted by manager Choi instead, however Moo Sol Park takes on the role of being Kang Chi’s main father figure. Kang Chi is an outspoken character who’s full of curiosity. He realizes that he’s a half-human-half-beast through a certain incident and starts living his second life.
Yeo Wool Dam is a master of martial arts and archery. Yeo Wool is an upright character who really values the Three Bonds and Five Relationships in Confucianism, and becomes an instructor at a martial arts center at a young age.
Starring Seung Ki Lee, Suzy Bae, Yun Suk Yoo, Yoo Bi Lee, Joon Sung, Sung Jae Lee, and Sung Ha Jo.

“Endless Love,” Friday and Saturday at 7:45 p.m./re-airs on Saturday and Sunday at noon.
A period drama about Korean politics and financial situation in the 1970-1990s, as seen through the life of a woman.
After a traumatic past of witnessing her mother’s death, In Ae Seo grows up as ambitious, and sharp-minded woman who knows how to grab people’s hearts, while still holding hope to one day avenge her mother. Since childhood, her life has been entangled with two opposite-personalities brothers from poor fisherman family, Kwang Hoon Han and Kwang Chul Han.
Starring Jung Eum Hwang, Soo Young Ryu and Kyung Ho Jung.

“Only My Love,” Friday-Sunday at 9:25 p.m./ re-airs Saturday and Sunday at 1:15 p.m. and Monday at 12:20 p.m.
Eun-Jung was raised by a mother who shined shoes for a living. She marries Sung-Jae, but falls into trouble after her husband and mother-in-law commit a crime. Eun-Jung loses everything and has to work her way up from the very bottom to become a success.
Starring Min-Young Lee and Jae-Hee Song.

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Keeping Perspective… And Remembering To Laugh

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By Frances H. Kakugawa, Hawai’i Herald Columnist

Omoiyari . . . Think of others first and good karma will return to you. — Frances H. Kakugawa

Dear Frances,

Thank you for your last column. I took your advice and wrote down all of my last wishes for my children. And, I gave them permission to put me in a nursing home if caring for me gets too difficult. I also wrote out my funeral plans and got in touch with my attorney. Thank you, I would never have thought of doing this. I thought writing out my instructions would be better than telling them so there won’t be any confusion.

I’m enjoying your column very much.

Sue
Kailua, Hawai‘i


Dear Frances,

I took care of my dad who’s been gone for over a year now. I still have such regrets that I wasn’t a better caregiver. I really wish I could do it over again, especially after I’ve been reading your column. Wish I had met you earlier.

Linda
Kona, Hawai‘i

Dear Linda,

There is so much wisdom in hindsight. We dwell on what we should have done and feel remorse. We can’t go back, that’s for sure. Think of all the “right” things you did and reflect on that. There is no perfection in any of us, so whatever we did was the best we could do at that time. A former caregiver told me, “There is no such thing as mistakes in caregiving . . . they are all lessons to be learned.”

Remember how exhausted and worried you were as a caregiver? You are now healthier — physically, emotionally and psychologically — and a healthy self can easily distort the reality that was during caregiving. At that time, you did your best. Don’t be so hard on yourself.

To feel regret now tells me you have discovered what it means to be truly human through caring for your dad, and perhaps this is the gift your dad gave you. So accept it and relish it and live with it, knowing you are a good human being. Use this wisdom that you have acquired to help others. Receive your hindsight as a living legacy.

A caregiver in our support group shared this story last week. He said he was walking out of the grocery store with his wife. A woman approached him, asking for $2 to purchase a snack. He gave her $3 and felt so much joy for having done that.

From my own experiences, I learned that caregiving sensitizes us to deep human emotions and even the most ordinary turns into extraordinary moments of joy. This must mean we are discovering our own humanity and about being sensitive to others around us, and this I call the gift of caregiving. So honor that gift your dad gave you. Thank him for his gift.

Take care,
Frances


Dear Frances,

I laughed a lot when I attended your session. I know humor is important, but it’s hiding from me at the moment. Tell me a funny story or two. I’m sorry, I should be asking something serious, but I need laugher right now.

Thomas
Honolulu

Dear Thomas,
You’re right, laughter saves many a dark and gloomy day, and when things go dead wrong, laughter seems the only way out. Laughter can also help turn our body, which can feel like a tightly wound rubber band ready to snap, into a loose one.

This story was shared in a support group. We all had a hearty laugh — even the caregiver!

A caregiver was taking a shower, when, suddenly, the shower curtain was pushed to the side. There stood two police officers with their guns drawn and pointed at him. His wife, who had dementia, had called 911, saying there was a strange man in the shower. Of course, the man had no identification on him, so it took some time to explain the situation to the police. It was not the first time his wife had called them, so he asked the officers to add a notation to their files of his home phone number in case his wife called 911 again to report a strange man in her home.

Here’s another story — my story.

I took my mother to Shirokiya for lunch one day. She needed to use the bathroom, so I accompanied her to the ladies room. I was wiping the toilet seat before letting her sit. She couldn’t wait so she soaked her panty. Her change of clothes was in the trunk of the car, so I helped her take off her wet panty. She looked at it and said, “What you doing with that?”

I said, “Why don’t I throw it away?”

“Yeah, yeah, throw it away,” she said. So I did.

Throughout our ride home, she reminded me several times, “Eh, Hideko! I don’t have panty, you know.”

“I know,” I said. “Your panty is in the trunk.” We both laughed all the way home.

An experienced caregiver later told me, “Next time, rinse it out and wrap it in paper towels; otherwise, you’ll run out of panties — and carry an extra pair in your handbag in a plastic bag.”

Consider this: If I were the perfect caregiver, I wouldn’t have stories to tell you.

Readers, how about sharing some of your funny stories? I will keep them anonymous.

Take care,
Frances

Photo by Colin Gray/The Arches on Flickr (Creative Commons).


Okinawan Secrets to Longevity

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By Kevin Kawamoto

In certain parts of the world — Okinawa being one of them — people, on average, tend to enjoy longer and healthier lives. The Willcox brothers — identical twins Bradley, a physician, and Craig, a medical anthropologist — have been studying this phenomenon. Over the years, their conclusions have been published in books (“The Okinawa Program” and “The Okinawa Diet Plan”) and discussed on television programs and in news articles throughout the world. Earlier this year, the Willcox brothers were the keynote speakers at the Uchinanchu Talk Story IV Conference, titled “Okinawan Secrets to Longevity,” which was held at the East-West Center. The event was cosponsored by the Worldwide Uchinanchu Business Association, the Akisamiyo-! Club and the East-West Center.

Originally from Canada, the Willcox brothers first went to Okinawa in 1994 to study longevity (or long life) among the Okinawa population. They joined Dr. Makoto Suzuki, a cardiologist and geriatrician, who had been doing pioneering longevity research among the Okinawans and is on the faculties of the University of the Ryukyus and Okinawa International University.

Twenty years have passed since the brothers went to Okinawa and their research findings have yielded much food for thought.

“One of the key things that we are excited about doing in our work is translating our research findings into public health practice,” said Donald Craig Willcox, Ph.D., a professor of international public health and gerontology at Okinawa International University. He will be referred to hereafter as Craig (the name he goes by) to distinguish him from his brother Bradley, who is a professor and researcher in the Department of Geriatric Medicine at the University of Hawai‘i’s John A. Burns School of Medicine.

At the Uchinanchu Talk Story IV Conference, Craig played a short video clip of a news story in which he and a reporter went to look at food choices at the grocery store. He advised viewers to select a variety of colorful fruits and vegetables as well as unrefined carbohydrates such as brown rice and whole wheat.

“The traditional (Okinawan) diet is very vegetable-heavy,” Craig said in the video piece. “Over 70 percent of their daily caloric intake came from vegetables.”

Moderate amounts of protein, such as fish and töfu, were also consumed, as well as an Okinawan favorite, pork, but just a little and with the fat removed or boiled off. Essentially, the traditional Okinawan diet is a low-calorie, plant-based diet.

As the Willcox brothers have emphasized in their public appearances and publications, portion control is also important. They recommend eating not until one is totally full or “stuffed to the brim,” as some people do, but rather until one is only about 80 percent full. There is a Japanese term for this: “Hara hachi bu.” It isn’t a literal measurement, but conveys the idea that it takes time for the body to feel satiated. If you eat too much too quickly at one time, your stomach may not have time to send signals to the brain to tell it that you are full and to stop eating.

The brothers have also discussed research on the potential health benefits of caloric restriction. It is based on animal studies that suggest that a low calorie intake may be beneficial in disease prevention. However, how that translates to human populations is not completely understood, and the brothers’ research in Okinawa may help answer that question. (Of course, people should not make changes to their health regimen without first consulting their health care providers.)

Craig cautions that long life in itself is not necessarily a desirable goal. For quality living, long life needs to be combined with other factors, such as good health.

“It’s about health span, not just life span,” he said.

A key question he wanted the conference audience to think about was, “Are there things you can do to age more healthfully?”

Other factors to consider for healthy longevity are a person’s living environment, socio-economic status, social support system, physical activity, access to health care and so forth.

Most of these lively paranku drummers are in their 80s. (Herald file photo)

Most of these lively paranku drummers are in their 80s. (Herald file photo)

While nutrition is key, he said, it is not the only thing that is important to aging well. Craig referred to an often-quoted definition of “successful aging” by other researchers, which include the avoidance of disease and disability, the maintenance of cognitive capacity (or brain health) and active engagement with life. (It should be noted here that not all gerontologists consider this an ideal definition because it might be inferred that people with disabilities, for example, are not aging successfully.)

Craig noted that both genetic and non-genetic factors contribute to healthy aging. Non-genetic factors would include factors such as diet, nutrition, exercise, environment, social support, stress management and so forth. Genetic factors are biologically inherited traits. Researchers have also looked at risk factors such as tobacco use, obesity and over-consumption of alcohol. He observed that most centenarians are women, and that they tended not to smoke or consume alcohol at the same rates as men when they were younger.

Dr. Bradley Wilcox (hereafter referred to as Bradley) talked about his research as part of the Kuakini Medical Center Honolulu Heart Program study of more than 8,000 men of Japanese and Okinawan ancestry. About 15 percent of the men are of Okinawan ancestry. Data have been collected from the 1960s to the present — about half a century of research. One of the important findings from this so-called longitudinal research (i.e., the study of people over a long period of time) is that of the study participants who lived to be 85 and older, only about 5 percent of them were overweight when they were younger, in their 40s.

Bradley played a video news story narrated by KHON’s Joe Moore. In that story, Moore reported on the findings of a study that followed 5,000 men over a period of 40 years and showed that healthy living during middle age may result in longer life.
“Researchers found that men had an 80 percent chance of living to the age of 80 if they include these nine factors in their lives,” Moore said. Those nine factors were 1) lean weight, 2) low blood pressure 3) low blood sugar 4) low bad cholesterol, 5) moderate alcohol consumption, 6) no smoking, 7) high hand grip strength, 8) higher education and 9) being married. The study was conducted by the Pacific Health Research Institute and Kuakini Medical Center and was published in the Journal of the American Medical Association.

Moore ended the piece by saying, “I’ll work on that lean weight thing.”

Bradley also talked about research looking at the genetic factors that may contribute to good or bad health, in particular the FOXO (pronounced “fox-oh”) gene and the concept of protective genes. The protective version of the FOXO gene may increase one’s chances for healthy longevity. Craig told the audience about how diet can help to optimize one’s protective genes, emphasizing what he had said earlier, “You want to get a lot of plant foods into the diet,” especially foods that are low in calories and yet packed with nutrients. Foods such as Okinawan sweet potatoes, bitter melon (göyä), green leafy vegetables, sea vegetables, töfu and others are recommended, as well as foods that do not spike the body’s blood sugar levels (i.e., foods that are low on the glycemic index) and that help to keep inflammation down. Their books, mentioned earlier, go into detail about high- and low-glycemic index foods and have recipes based on the Okinawan diet but with variations for people who may not like the traditional Okinawan dishes.

In Chapter 1 of “The Okinawa Program” book, the authors compare Okinawa to Shangri-La, that fabled earthly paradise from the novel and movie, “The Lost Horizon.” That reputation results from a warm climate combined with its beautiful physical environment.
“Okinawa also happens to be the home of the longest-lived people in the world,” the authors write. “People there seem to have beaten the aging process and the debilitating diseases that accompany the ‘golden years’ in the West.”

But beyond all of the factors for healthy longevity already discussed, the researchers noted helpful social and psychological characteristics among many of the older Okinawans they have studied, including a positive attitude, good stress management, strong community ties and more. One might also observe these characteristics among many Hawai‘i Okinawans as they participate in group social activities, get involved in community projects and enjoy cultural events together.

The Uchinanchu Talk Story IV Conference program was filled with talks, presentations and performances that attested to the vibrancy of the Okinawan community in Hawai‘i. Topics or activities included physical fitness and exercise; recreation and lifestyle; financial security; small group discussions; and a healthy lunch with examples of typical Okinawan dishes.

The world has much to learn from Okinawans about the road to healthy longevity. In fact, the Willcox brothers said they wanted to call the American version of their book, “The Okinawan Way,” but their publisher recommended “The Okinawan Program” instead because the latter title seemed better for marketing. But, in fact, the decades of research on the lives of older Okinawans does provide the world with insights into the traditional Okinawan way of life.

Will Okinawans continue to lead the world in healthy longevity in the future? That remains to be seen, but early indicators are not optimistic, as many younger Okinawans opt for fast food that tend to be high in calories, low in nutrients and highly processed (rather than whole foods) — all things that are opposite of the traditional Okinawan way of eating. In one news segment on YouTube, younger Okinawans can be seen in a fast food restaurant, eating their hamburgers and fries. Some are clearly overweight or do not look healthy, but they think these foreign foods are “cool.”

As has been widely reported in the American news media, childhood obesity is a serious and harmful condition among many youth in America, potentially leading to chronic illness and disability. If future Okinawans who subsist on this kind of eating turn out to be less healthy as adults than their grandparents and great-grandparents, it may provide more support for the wisdom of living the traditional Okinawan way.

Kevin Kawamoto is a longtime Hawai‘i Herald contributor. This article is not intended to give medical or health advice. See your primary care physician for a health management plan that is right for a person with your body and health status.

“An Okinawan Kitchen”

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By Gwen Battad Ishikawa

Chef Grant Sato’s passion for Okinawan cuisine is evident in the way he talks about it, cooks it and presents it. His reverence and respect for Okinawan cuisine is reflected in his newly published cookbook, “Hawai‘i Cooks: An Okinawan Kitchen, Traditional Recipes With an Island Twist,” from Mutual Publishing.

In it, Sato covers everything from basic dishes, including how to prepare udon, shirae (crumbled töfu dressing) or rakkyo (pickled scallions), to traditional Okinawan dishes such as champuru (stir-fry) and yakisoba (fried noodles). “An Okinawan Kitchen” is part of the Honolulu Star-Advertiser’s cultural cuisine book series. It will be released later this month at the Okinawan Festival.

“An Okinawan Kitchen,” contains eight chapters: Okinawan Basics, Goya (bitter melon), Pork, Fish, Noodles, Vegetables and Salads, Desserts and Sweets and Contemporary Creations. It also includes a glossary of unusual ingredients; their Okinawan, Japanese and English names; and pictures.

The recipes are traditional favorites and came from numerous sources, but primarily Sato’s grandmother. “They’re versions of recipes from the days of my grandparents — plantation, as well as classics that I’ve thrown my modern spin on (Contemporary Creations),” Sato said.

Each chapter is distinguished by a specific color and obi pattern. Every page of the chapter is bordered with the same obi design and the dishes in the chapter are photographed on that obi. Sato also handpicked the lacquerware, ceramics or glassware that the food is presented in, as well as the figurines or flowers that appear in the book. Sato explained that he wanted to present Okinawan food as “grand as possible.”

“I want people to know I believe in the food. I’m passionate about the food, so if I don’t present in a way that shows I revere it so much, then no one else would respect it, either,” he said.

“An Okinawan Kitchen” is a very personal book to the 44-year-old Sato, who is “half Sansei, half Yonsei.” “You’ll get to know a lot about me from the book. I include my experiences growing up and how it relates to that dish.”

In addition to his personal stories, Sato includes blurbs about Okinawan history, culture and artifacts.

He dedicated the book to his 90-year-old maternal grandmother, Jeanette Akamine, who taught him about Okinawan cuisine and helped him develop his love and respect for it. His grandfather, Bernard Akamine, died in 2012.

“I was lucky to be raised by my grandparents on my mom’s side, who were pure Okinawan. Growing up, I was instilled with ‘old school’ values and taught the old school way — everything was made from scratch and nothing was a convenience item (premade).

“I’m one of those who, if I’m going to make a töfu dish, I’m going to make the töfu from scratch before I make the dish, rather than just buying it from the store,” he said.

Sato worked on the book for a year and a half, from perfecting the recipes to finding the perfect dish in which to photograph the food. He spent several years acquiring the lacquerware, glassware, pottery and obi. Although some items were from Sato’s personal collection, 90 percent was chosen specifically for the book.

“I want people to know that Okinawan cuisine is not just family style, casual, country cuisine, but can be elevated and presented as fine dining so to speak and not just street food.”

Sato developed his love for cooking at a very young age, although art — drawing, painting and sculpting —was his first love. He even attended the summer program at the Honolulu Academy of Arts on a scholarship.

As he grew older, Sato began combining his two passions: art and food. He majored in fine art at the University of Hawai‘i at Mänoa and then transferred to Kapi‘olani Community College, where he received an associate’s degree in culinary arts and pâtisserie. He has done culinary externships in Sri Lanka; Bangkok and Chiang Mai, Thailand; and Bussan, South Korea.

Since 1998, Sato has been a chef instructor at KCC, where he teaches garde manger, which is cold food presentation, meaning salads, dressings and sausage making, as well as ice carving, vegetable and fruit carving and edible food containers.

He also hosts “What’s Cooking Hawaii,” a television cooking series that is a partnership between KCC Culinary Arts and KFVE. Sato’s current and former students join him on the show, which focuses on healthy eating choices.

Sato hopes his book will serve as a resource. “My grandma-folks are from the plantation era. A lot of people have lost the recipes from those days, so I want them to use the book to reconnect to their food memories and use it as a means to research how to make things the way they were made, or to find a good recipe for a dish that has been long forgotten.”

As a child, Sato had watched his grandmother cook. As a professional chef, Sato realized that he had to document her recipes.

“I was really a smart child, I have to say. As I got into my teens, I started thinking, ‘What if this spoon broke?’” He started writing down the ingredients and measurements as she cooked. Grandma Akamine had kept the old utensils she used as her measuring tools, so Sato translated them into modern measurements.
He wants his book to raise awareness in the “modern-day Okinawan community.”

“The young folks have forgotten how much of a treasure the old folks are, that they are a living resource we need to honor. We need to take advantage of those that are still here to catalogue the recipes, the traditions, the culture, the language, because if we don’t do it now, we’re going to lose it.”

Asked about his favorite dishes, Sato takes a few moments to think.

“If you ask me what my signature dish is, it’s the rafute (Okinawan braised sliced pork belly). It’s the dish I’m always asked to make, and when I do, it’s always gone.”

His favorite dish to eat is ashi tebichi (pig’s feet soup) and his favorite dish to make is andagi (Okinawan doughnut), “because I still haven’t perfected it. It’s still a work in progress. Even though I have the batter down, haven’t got it 100 percent same size and shape every time.”

“Hawai‘i Cooks: An Okinawan Kitchen” can be purchased at the Okinawan Festival for $20 in the Craft Gallery (scrip only) and the Capital Campaign Tent (cash or check only). Thirty percent of its sales will be donated to the Hawaii United Okinawa Association. After the festival, the books will be sold online through Mutual Publishing, Amazon.com and the Honolulu Star-Advertiser.

Happy 100th Birthday, David Aka!

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By Karleen C. Chinen

It’s not every day that you get the honor of meeting a person who has enjoyed a full century of life. In the case of David Yoshio Aka, make that 100 years-plus!

On Aug. 7, Mr. Aka celebrated his 100th birthday with his wife Mitsue, their four children, his youngest brother, Roichi — and his new ‘ohana at the 15 Craigside retirement community in Nu‘uanu. Mr. Aka, who is a youthful-looking centenarian, was actually born May 21, 1914 (give or take a few days) in Huelo in East Maui. His birth, however, was not registered until Aug. 7, 1914, which became his “legal” birthdate.

David Aka was the eldest of six children born to Ryosei and Nae Aka, who immigrated to Hawai‘i from Shuri, the ancient capital of the Ryükyü Kingdom. When Mr. Aka was 10 years old, his parents took their family to Okinawa. After six months there, the family returned to Hawai‘i, but left their two eldest sons, David and Ray, then 8, with family in Okinawa. The Aka brothers continued their education in Okinawa and graduated from Okinawa Kenritsu Daiichi Chügakko in Shuri.

Mr. Aka returned to Maui in 1934 at age 20 — brother Ray followed a year later — and began teaching Japanese school with his father. He also helped with his family’s three-acre pineapple farm.

He had forgotten much of his English in his 10 years away, so after saving enough money, he came to Honolulu to relearn English — enrolling first at ‘Iolani, then Hawaiian Mission Academy and, finally, at McKinley High School.

When World War II broke out, Mr. Aka was interviewed by the FBI because of his Japanese language background and the many years he had lived in Okinawa. His father, a Japanese school teacher, was arrested by the FBI and interned on the Mainland, initially in Louisiana and later in Arkansas — this, while sons, Yoshimori Roy and Roichi — were serving in the U.S. Army with the Military Intelligence Service.

In 1961, Mr. Aka retired from his accounting position with the state Department of Agriculture, where he had worked for 20 years. After a short retirement, he returned to the workforce as a purchasing agent for the Kaimana Beach Hotel for three years and then worked for the YMCA for another three years before finally retiring for good.

He and Mitsue, his wife of 69 years, lived in Mänoa prior to moving to Craigside in October 2012, where their “neighborhood” grew exponentially bigger. While still in Mänoa, Mr. Aka had enjoyed growing his own Mänoa lettuce, eggplant and string beans, all of which went into the couple’s meals or were shared with family and friends.

The Akas’ children — Gary, Raymond, Steven and Lorraine — live on the Mainland. All four and their families braved the impending Hurricane Iselle to fly home to celebrate their father’s 100th birthday.

Besides brother Roichi, now 90, who also resides at Craigside, Mr. Aka has three surviving siblings — Bernice Hashimoto and Roy Aka, both of whom live in Cincinnati, Ohio, and a sister, Janice Okudara, who lives in Honolulu.

The Aka family.

The Aka family.

Mr. Aka attributes his good health to exercise and constant movement. And get this: Mr. Aka drove until he was age 98, when he and his wife moved to Craigside.

Mr. Aka remains an early riser, waking at 5:30 or 6 and usually turning in around 11:30.

He uses a walker, just to be safe, and is hard of hearing; other than that, he is perfectly healthy. A visit with his doctor the day before his Craigside birthday party found him in tip-top shape.

Mr. Aka shared some interesting Okinawan and family history with the Herald. He said his paternal great-grandfather, whose family name was Takasato, was the physician to King Shö Tai, the last king of the Ryükyü Kingdom, who reigned from 1848 until 1879.

Takasato received his medical training in China and became very close to King Shö Tai. The king trusted him so much that he appointed him administrator of the island of Aka (Aka-jima), one of the four inhabited islands in the Kerama island group, located just west of Okinawa island. In time, Takasato adopted the island’s name, Aka, as his family name. And that rare name lives on with the Aka family in America.

Before getting up to leave, I asked Mr. Aka if he had any advice for others hoping to enjoy life until 100.

“Don’t fight with your wife,” he replied, with a bright smile and a twinkle in his eye.

2014 Okinawan Festival

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Saturday’s Program | Sunday’s Program

Cultural Tent | Festival Favorites

9 a.m.

RYUKYU SOKYOKU KOYO KAI HAWAII SHIBU

(Jane Kaneshiro and Bonnie Miyashiro, Co-chairs)
Featured Okinawan koto schools:
• Jane Kaneshiro Sozan Kai
• Bonnie Miyashiro Soho Kai
• Toma Toyoko Sokyoku Kai
• Kaya Hatsuko Sokyoku Kai
• Yamashiro Yoneko Sokyoku Kenkyu Kai
• Yasuko Arakawa Aki no Kai
• Sunny Tominaga Sokyoku Sanyuukai
• Chieko Miyasato Sokyoku Kai

9:30 a.m.
NOMURA RYU ONGAKU KYO KAI HAWAII SHIBU
Seiichi Yagi, Chapter President

10 a.m.
HAWAII TAIKO KAI
Terry Higa, Instructor

10:25 a.m.
OPENING PROCESSION
HUOA Member-Club Banners, Shishimai (lion dance), Chondara (clowns) and Paranku Clubs of Hawaii

10:50 a.m.
FORMAL OPENING CEREMONIES
Speeches by invited guests

11:30 a.m.
HOOGE RYU HANA NUUZI NO KAI NAKASONE DANCE ACADEMY
Lynne Yoshiko Nakasone, Grand Master and Director

12 noon
AFUSO RYU CHOICHI KAI HAWAII
Grant “Sandaa” Murata, Chapter President

AFUSO RYU KAJI NO KAI HAWAII
Kenton Odo and June Nakama, Shihan

12:50 p.m.
RYUSEI HONRYU RYUKO KAI
Mitsuko Toguchi Nakasone, Kaishu

1:20 p.m.
RYUKYUKOKU MATSURI DAIKO HAWAII
Akemi Martin, Regional Director

2 p.m.
JIMPU KAI USA, KIN RYOSHO RYUKYU GEINO KENKYUSHO
Cheryl Yoshie Nakasone, Artistic Director

2:30 p.m.
SHORIN RYU HAWAII SEIBUKAN
Masakazu Teruya, Kancho

3 p.m.
RADIO OKINAWA’S 2014 MIUTA TAISHO WINNER – NANKURU
SANSHIN

3:40 p.m.
OKINAWAN’S BANJO AI, accompanied by JIM ROCK
Nobuo Utsugi, Director

4:20 p.m.
OKINAWA MINYO KYOKAI HAWAII / URIZUN MINYO GROUP
Derek Ichiro Shiroma, Sensei

4:50 p.m.
KACHASHI

5 p.m. — PAU

5:30 p.m.
OKINAWAN FESTIVAL BON DANCE
Opening/Welcome: Emcee Jon Itomura
5:45 p.m.: Young Okinawans of Hawaii —
David Jones, President
6:45 p.m.: Aiea Taiheiji Yagura Gumi — Todd Imamura, President
7:20 p.m.: Hawaii Shin Kobukai — Betty Dela Cuesta, Head Instructor
7:55 p.m.: Iwakuni Odori Aiko Kai — Marion Kanemori, Vice President and Dance Committee Chair
8:30 p.m.: Hawaii Eisa Shinyuu Kai — Melissa Uyenten, President
9:20 p.m.: Kachashi

10:30 p.m.
LAST SHUTTLE BUS to Kapi‘olani Community College

Sanshin? ‘Ukulele? Sanlele!

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By Grant “Sandaa” Murata, Special to The Hawai’i Herald

Okinawan music has enjoyed an unbelievable surge in popularity over the past 30 years. I think it’s the result of many factors — growing interest in Okinawa itself and the many mainland Japan television networks producing dramas set in Okinawa featuring the Ryükyü Islands and their rich culture. Add to that the increasing popularity of Okinawan music.

Traditional Ryükyü minyö, or Okinawan folk music, has been growing in popularity due to the unique sound of the Okinawan sanshin, which is different from the Japanese shamisen. In order to keep up with the demand, several sanshin shops have opened “sanshin factories” in nearby Southeast Asia. A factory enables retailers to manufacture sanshin at a lower labor cost, making it affordable for many people to own a sanshin, just as many of us in Hawai‘i have an ‘ukulele in our homes.

World War II and the Battle of Okinawa, where the only land invasion of Japan took place, left Okinawa and its people in ruins. For many Uchinanchu, it was the music and the dances of the Ryükyüs that lifted them up and helped them overcome their feelings of despair. At the forefront of this movement was the man revered as “the father of Ryükyü minyö” — Shoyei KIna.

Marlene Shimamura (far left) plays the Sanlele while her twin sister Carolyn sings. Their mother, Chikako Shimamura Murata, plays the traditional Okinawan sanshin. (Photo courtesy One Moment in Time/David Shimabukuro)

Marlene Shimamura (far left) plays the Sanlele while her twin sister Carolyn sings. Their mother, Chikako Shimamura Murata, plays the traditional Okinawan sanshin. (Photo courtesy One Moment in Time/David Shimabukuro)

In the late 1960s, Shoyei Kina’s son, Shoukichi, formed a group called “Shoukichi Kina and the Champlooz,” blending western instruments such as guitars with traditional Okinawan instruments to present unique brand of traditional Ryükyü minyö music.

Shoukichi Kina also composed many new tunes, giving birth to a new trend in Okinawan music. The lively “Haisai Ojisan,” “Agarizachi” and “Bashamucha-suncha-” were among his early compositions. One of Kina’s recent and most popular modern compositions is the song “Hana,” a song for peace that has been translated into more than seven languages and is sung all around the world. I don’t think it would be an understatement to refer to him as “the father of modern and pop music” in Okinawa today.

The Sanlele is just over 24 inches in length and emits a soft and soothing sound.

The Sanlele is just over 24 inches in length and emits a soft and soothing sound.

Okinawan music has seen many changes since the 1970s. Mainland Japanese musicians have composed hit songs that incorporate the Okinawan music scale and even Okinawan lyrics. It is not unusual for Okinawan, mainland Japanese, American and Hawaiian musicians to collaborate on hit recording projects. Groups like “Begin,” who performed at the Waikiki Shell a few months ago, “The Boom,” “Rinken Band” and the Okinawan-Peruvian group called “Diamantes” have become famous for their Okinawan-influenced music.

“Diamantes” is led by Alberto Shiroma, a Peruvian-born sansei Uchinanchu. Shiroma had a role in inventing and helping to develop a new and fascinating three-stringed instrument that I think will grow in popularity, especially here in Hawai‘i. That instrument is the Sanlele.

The Sanlele was born in Keejoo Ya (pronounced Kayjö-ya), a sanshin shop located in Yomitan, Okinawa. The shop is owned and operated by the Machida brothers, who specialize in designing and crafting high-quality — and high-end — sanshin. The Machidas are sanshin craftsmen in their own right, but they also have ties to various musicians and ‘ukukele craftsmen in mainland Japan.

On one of his visits to the Machidas, Alberto Shiroma of the Diamantes inquired about the possibility of developing an instrument that blended the soft, melodic sounds of an ‘ukulele with a fret board (like that of an ‘ukulele or a guitar) with a sanshin.

Shiroma and the Machidas brainstormed over the design of this dream instrument. When they had a blueprint, the Machida brothers formed a joint venture with T’s Guitars, a mainland Japan company, which would handle the actual manufacturing of the instrument. T’s Guitars is owned by Shinji Takahashi of Nagano, Japan, who is highly regarded as a guitar and ‘ukulele maker.

In order to access good-quality materials, the Machida brothers set up another business, Machida Corp., in Honolulu. After 10 years of experimenting and numerous trials and errors, the perfected Sanlele was unveiled on Feb. 14, 2008.

A year later, I saw a YouTube video of a good friend of mine, Koyei Tsuha of Okinawa, playing the Sanlele. It piqued my curiosity, and I hinted to my wife Chikako, an avid musician herself, that I would really like to try playing a Sanlele if I could get my hands on one. So, on her next trip to Okinawa, she surprised me by buying one. At the time, a case for the instrument hadn’t yet been manufactured, so she brought it back in a cardboard box. I still haven’t found a case for it, so five years later, it’s still stored in the cardboard box.

But it is a magnificent instrument. The body is made of high-quality mahogany and the fingerboard (where the frets are) and bridge are fashioned from rosewood. My Sanlele has traditional karakui, or what is called muudii in Uchinaaguchi (Okinawan language). These are the traditional sanshin tuning pegs that are made from ebony, which is used to make the muudii for the snakeskin sanshin. When I checked the internet, I found that the Sanlele’s muudii can now be purchased with regular western tuning pegs, which makes the instrument resemble an ‘ukulele, but with only three strings.

The Sanlele uses nylon strings that seem to be a bit sturdier than ‘ukulele strings. The body is 63 cm (just over 24 inches in length) and weighs less than a pound. The Sanlele has 16 frets that are spaced out so that the musician can play the instrument like a regular sanshin and is able to match the tone and pitch of the sanshin. The Sanlele comes in two styles — the traditional gourd shape and the pineapple shape with either Karakui or regular tuning pegs.

I would describe the Sanlele’s sound as soft and melodic, much like an ‘ukulele. It is a great companion instrument to the sanshin for the right kind of song, but not for every song. I would not suggest using the Sanlele for koten, or classical, music, but for Ryükyü minyö and newer Okinawa music compositions, the Sanlele is a great addition.

I don’t know how many other Okinawan musicians in Hawai‘i have a Sanlele, as I haven’t seen others incorporate it in their performances in Hawai‘i. I have been experimenting with mine since my wife bought it for me in 2009.

The Sanlele is just over 24 inches in length and emits a soft and soothing sound.

The Sanlele is just over 24 inches in length and emits a soft and soothing sound.

One person who immediately took to the Sanlele is my stepdaughter Marlene Shimamura, who plays sanshin and is also an avid guitarist and bass player. While practicing for this past July’s Hawaii United Okinawa Association Legacy Awards banquet, Marlene tried playing the Sanlele for the first time. She fell in love with it immediately and decided to play the Sanlele instead of the sanshin or guitar for our performance. Because she is accustomed to playing with a fretted instrument and with playing chords, she took to the Sanlele like a natural and was able to improvise while performing.

Other recently invented stringed instruments like the Ichigo ichi e have grown in popularity in recent years. The Sanlele has taken longer to catch on, in Okinawa as well as in other parts of the world. Even in Okinawa, one doesn’t see many Okinawan music enthusiasts using the Sanlele. I wonder — could it be that it is too much like a sanshin? Or, perhaps, too much like an ‘ukulele? One can only guess.

I would like to use the Sanlele for jo-uta (songs of sadness), or true shimauta (island songs) types of Ryükyü minyö songs — those traditional love songs that seem to wail from your heart, songs that were sung late at night to lure your lover out for a rendezvous. I think those kinds of songs are ideal for the Sanlele, especially as a solo instrument.

I haven’t attempted to use a capo on my Sanlele. The capo is the device placed on the neck of stringed instruments, usually fretted, to shorten the playable length of the strings, thus raising the pitch on the Sanlele. People who like singing at a higher pitch should think twice about using the Sanlele because the strings cannot be raised too high or they will break.

Personally, I really like my Sanlele and will definitely try to include it in more of my performances. Having said that, I must admit I am still a true, blue sanshin player. SANSHIN FOREVER!!!!

In spite of that, I treasure my Sanlele, so I took it to Goodguys Music & Sound on Kapahulu Avenue to see if I could find a case for it. The owner of the shop looked it over and said it was a well-made instrument and that he was impressed with the craftsmanship. We agreed that it was, in many respects, a work of art — definitely not an instrument you would take to the beach and bring out for a casual singalong.

Although it is a beautiful instrument, the $900 (U.S.) Chikako paid seemed a bit steep to me. Personally, I would have used that $900 as a down payment for a traditional Kuruchi-wood sanshin. Note that I said a “down payment,” because no “decent” sanshin can be bought for $900.

But in Hawai‘i, the land where hapa is a way of life, the marriage of sanshin and ‘ukulele has produced Sanlele, their precious and happy musical child.

Grant “Sandaa” Murata, a Hawai‘i-born sansei, is shihan (master instructor) and chapter president of the Afuso-ryu Gensei Kai Hawaii Shibu. He has been playing sanshin for nearly four decades.

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